Internship Journal #2 My Novel Progress

These past two weeks  at my internship, I have really been experiencing the writer's end of editing. In this journal, my focus will be about my own writing and the progress and experience that I have gained.    We started off the week, by doing a business lunch at Beasely's Books and Eccentricities in Charles Town, WV.  The atmosphere of Beasely's is the perfect place to come together and brainstorm as writers. The walls are lined with libraries of novels and have little reading nooks tucked in quiet corners for the ultimate curl-up spot. My supervisors and I found a great location inside to meet over a small meal. It was definitely a high-light of my week. We set up our laptops and had an editing session.  We also began start analyzing and monitoring the progress on my novel.
Though I do not want to write or be an author,  I have such a greater appreciation and understanding of the different types of writing styles.  I've realized in these past short weeks that you have to have such an open mind for a writing style that is different than you might expect. Proper editing does not change or alter someone's writing style, but it's a balance of finding and interpreting the writing style and seeing how it affects a certain audience. When you are writing, you have to keep in mind your audience and you have to be aware of everything you're writing. As I've seen, that editing is extremely useful for those ideas that don't quite make it outside of your head. Writing helps you recognize the way authors write, and as editors you know how to improve on any writing style.  So far, I have completed my first chapter and am in progress of my second chapter. (of ten chapters)
Web design and the basics of E-publishing also played a role in my activities for the past two weeks. Uploading manuscripts for E-publishing actually requires some knowledge in web design because websites such as Amazon and Nook require some form of HTML coding.

Comic Transitions and Maus

In Understanding Comics, author Scott McCloud lists six different panel to panel transitions in comics. He defines six transitions from one panel to the next:
1. Moment-to-moment, where relatively little change takes place between the two panels.
2. Action-to-action, where the actions of a single subject are shown.
3. Subject to subject, which transitions between different subjects in the same scene.
4. Scene-to-scene, which "transports us across significant distances of time and space."
5. Aspect-to-aspect, which "bypasses time for the most part and sets a wandering eye on different aspects of a place, idea, or mood."
6. Non-sequitur, "which offers no logical relationship between panels whatsoever."

These transitions help us to understand the relationship between each panel and how we as readers are supposed to view them and interpret them. In the novel Maus, by Art Spiegelman, these transitions are not always obvious to the reader because our brains are  synthesizing their information without even thinking about it! And Spiegelman's work often has panels that are relatively all the same size and shape, which doesn't automatically signal to us that a transition has occurred. We as readers fill in the gaps already!

Moment to Moment transition.

Take these panels here (right), which depicts the main character Artie having a conversation with his father. As you can see, this panel shows moment to moment transition, where there is the subjects Artie and his father hardly change position and there is little left to the readers to have closure on.

Subject to Subject transition

Other times, in Maus, there are subject-to-subject transitions (left), such as  the scene when Artie's father is describing how it was to be a POW of the Nazis. The panels include how they passed the time while imprisoned, which for Artie's father included playing chess with the other prisoners and writing letters to his wife Anja.

Most common in all graphic novels are action to action transitions (bottom center), which are the actions in progression of a single subject.  In Maus, on of the more memorable action-to-action sequences for me was in the POW camp when Artie's father has to go to the bathroom in the middle of the night. However as he goes outside to pee, he is shot at by guarding soldiers and must quickly go back inside before he is shot. The sequence of showing all of these actions together draws your mind to show you how actions and time has passed in this scene.

Action to Action transition

All images from Maus by Art Spiegelman, for educational use only. Taken by Rachel.

Journal #1 Internship

Spanish Intrigue, the first volume of the L&L Mysteries
by Wendy Lohr, one of my supervisors

I’d been planning my internship months before I started it and actually had several opportunities to me with my supervisors ahead of time which was so helpful in working out all the details for this semester. Where I work is a small editing and publishing company out of Gerrardstown, WV called Cressen Books, LLC. Operated out of their home office, Cressen Books, LLC was incorporated in 2010 and since then has published several novels from multiple authors. In my experience, I have been meeting with my supervisors not only to help them edit manuscripts of novels, but also with editing and help to write my own novel. My supervisors thought that it would be important for me to write a manuscript so I would understand first hand what authors go through in novel development all the way up through the editing process. Already, the have been showing me how to use different editing techniques and other programs such as Adobe InDesign, which the Wycloff article mentions is key in a career in Desktop Publishing. As of this week, I am still learning the editing process and how to use Microsoft Word more efficiently for novel and text editing. I have been working many independent hours to write and develop my own novel. I also attended a marketing seminar with my supervisors to gain new skills for their small business. Through these first experience, I have only confirmed that this is definitely the career path that I want to pursue, but I also realized that there is a definite level of professionalism that must be learned in our very relaxed environment. This internship requires alot of personal dedication and hours because I am producing a very personal product.

Let's Talk about Maus

Just from day one of our Graphic Novel class, I 've learned there is so much that readers and audiences have to learn about comics. There are so many misconceptions and preconceived notions about comics, that a general audience does not realize that the appeal comics have and their role in our lives is so much more apparent than what we know. As Scott McCloud, author of Understanding Comics, notes that comic appeal to us because humans have a tendency to assign identities where none exist, and how not only we make out our world in our image, but how we can project that image on to other symbols and images to better understand the human experience.McCloud argues that audiences pay too much attention to the messenger (of an idea or story) and not the message. In Art Spiegelman's Maus, a novel depicting one experience of the Nazi regime around WWII, Spiegelman uses the idea of assigning human identity to his 'mice' characters, in an attempt to make the audience focus more on story events, rather than the characters themselves. 

Art Spigelman, author of Maus.
Photo by Nadja Spiegelman, 2006

In Maus, all characters are personified mice (though some are other animals, but mice mostly) , though they do have distinct personalities and character traits, I found as a reader that I focused more on the text of the frame, rather than the image to understand what was happening.  I wasn't as focused on their facial expressions, which I think helps me as reader take away more from what characters say. Main character Artie's, father's recollections of the first Nazi takeover in Germany create more of an environment for a reader to lose themselves in, rather than a character's specfic thoughts or motives. The readers do not care that the characters are not human after awhile because it doesn't matter. We've all heard stories about the Nazi regime, and anyone can tell what a Holocaust victim was or looks like. We know as humans the differences in the appearances of our race and the qualities and characteristics that each person is supposed to have. We know what Jews look like, what Aryans look like. But what does a mouse Jew look like? What do we care? All mice look the same to us. We look at the events that Artie's father is retelling, but our lens is different.  Identity is challenged, we are forced to revist our concepts of race, of character. Maus is successful because of the environment that the author has put the reader in. Almost all of the time, readers are forced to make connections with the characters, because we empathize with them as humans do to each other. Very rarely are we forced to make it through a setting or through events by ourselves,  because we can rely on the characters to help us or to guide us. But if we experience it ourselves, we understand what the story is about, what it is trying to present without out filtering out character development or influence, because then it is like "we" experience it
.