Most of us at some point or another have seen comic adaptations on television or movies. Whether it's trusty Batman or the Transformers, or some other patron we know what to expect. It really isn't much like the comics; directors usually focus mostly on strong character development (live action) and action/theatrical effects to entertain the audience. However, in Comm 203, we explored other methods of framing to bring comics to life on the screen. Strategically adapted for television, Sam Kieth's comic The Maxx, instead of using live action uses another, I feel very effective method to bring The Maxx to viewers.
Adopted by MTV and produced by Claudia Katz, The Maxx for television uses specific framing and voice overs to display The Maxx. Though viewers may not be used to such a complex plot shown in such a way, I believe that since watching this in class, it not only effective but also very innovative.
Framing in the translation from comics to television, The Maxx uses the comic framing, but often translates horizontal frames and vertical frames into their correlating camera angles using panning.
I like this actually better than live action at times, because there is already a little bit more left to the imagination and the comic-esque feel isn't lost. Also, in between the two worlds and two main characters, I get more of a sense of transition with the comic-style of framing. Though the Maxx also has small elements of animation, which not only help relay time but also provide a visually interesting element to the still frames and frames within frames.
The whole thing is pretty intense when shot this way, providing a deep sense of intrigue and suspense for an already intense scenario of violence, abuse, and mental instabilities.
The Maxx is definitely a treat for anyone who wants an smooth, digital feel without giving up authenticity. Check out a promo clip from MTV's The Maxx!
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